The Emperor's Bridge Campaign has contributed four rare Emperor-themed films to the Internet Archive, the nonprofit library that collects published works and makes them available in digital formats.
These films are rarely seen outside the domains of film screening societies and, occasionally, subscription cable television — and sometimes not even then.
The Campaign is delighted and grateful to have the Internet Archive as a partner in making these films available for viewing by a broader audience — both via the Internet Archive and via the Campaign's own ARchive of Emperor Norton in Art, Music & Film (ARENA).
This collaboration with the Internet Archive includes the Archive's new high-resolution scan of the Campaign's 16mm copy of a 1936 theatrical film short that appears to feature the earliest dramatic portrayal of Emperor Norton extant on film.
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According to the "received" version of the Emperor Norton story: Joshua Norton inherited $40,000 from his father's estate. At around the same time, news of the Gold Rush reached South Africa. Joshua sailed west to seek his fortune in San Francisco, where he arrived in November 1849 with the $40,000 — a nest egg that he parlayed into $250,000 within three years.
But is this how it really went down? Not likely, according to the available evidence.
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The legendary theatrical producer, impresario, director and playwright David Belasco (1853–1931) made his name in New York City. But he cut his teeth on the San Francisco stage — initially as an actor. And, in the 1873 San Francisco performance that brought him his first critical notice, Belasco's character was a thinly veiled Emperor Norton. The Emperor, now in the 14th year of his reign, was very much alive and well in San Francisco.
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Over the course of several months in 1873, Emperor Norton issued a series of Proclamations calling out the exploitation of Native American people; urging a peaceable resolution to the Modoc War that was taking place at the time; and warning that the execution of Captain Jack and other Modoc leaders — a punishment mandated by an Army court-martial and eventually carried out — would only make matters worse.
The Emperor's Bridge Campaign has discovered a May 1873 diary entry — by a 13-year-old boy living in Oakland — that further illuminates the Emperor's take on the Modoc War and on Native Americans in general.
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On 9 November 1879 — just two months before Emperor Norton's death — the San Francisco Chronicle published a Sunday front-page profile of the Emperor that was based on rare interview with the Emperor himself.
The profile was accompanied by a lovely drawing of the Emperor that was reproduced 60 years later for Allen Stanley Lane's 1939 biography, Emperor Norton: The Mad Monarch of America — but that has languished since then.
The Emperor's Bridge Campaign has had a new photographic print made of the drawing and has added a hi-res scan of it to ARENA, our digital ARchive of Emperor Norton in Art.
Learn more and see the drawing, after the flip.
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The familiar version of Joshua Norton's San Francisco immigration story — a narrative developed primarily between 1879 and 1939 by that period's leading writers about Emperor Norton — holds that the future Emperor made his way from Cape Town to Rio de Janeiro, where he booked passage on the Hamburg ship Franzeska and arrived in San Francisco on 23 November 1849.
The "story of the story" — of how this narrative came together and was canonized — is interesting on its own. What has yet to surface, however, is any primary-source documentation verifying Joshua's passage on any particular ship or his arrival in San Francisco in November 1849.
Absent such evidence, what we really have in the "received version" of this story — as with a number of details about the Emperor's pre-imperial life, in particular — is more a work of "collaborative intuition," a theory in search of documentation.
This is the first in an occasional series of articles on aspects of the Emperor Norton biography that should be regarded as "open questions" — and opportunities for research.
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On Thursday 23 March, The Emperor’s Bridge Campaign presents Lights! Camera! Norton! — an evening of three films about Emperor Norton at the legendary Roxie Theater in San Francisco.
The event includes a screening of our own 35mm print of a 1936 short that we believe features the earliest dramatic portrayal of the Emperor on film.
This special evening takes place in the 254-seat Big Roxie theater and is a fundraiser for the Campaign: After the first 50 tickets sold, 50 percent of all proceeds from this screening will benefit The Campaign.
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Tonight, the Emperor's Bridge Campaign is throwing the Emperor a party. A link to details and a comic from the annals of imperial confectionery humor, on the flip.
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At least three times — in a 1906 autobiographical reminiscence; in an 1893 short story; and in his 1872 book, Roughing It — Mark Twain mentions a low-fare eatery, the Miners' Restaurant, that was on the same street as — and only a block away from — the Emperor Norton's residence.
Twain himself is reported to have adopted this restaurant as his "headquarters" in the winter of 1866 and 1867.
Might the Emperor have frequented this place, too?
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Join The Emperor's Bridge Campaign in celebration of Emperor Norton's 199th birthday on 4 February 2017.
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For Emperor Norton Day 2017, a look at how — in both art and prose — the San Francisco Illustrated Wasp paid tribute to the Emperor on 17 January 1880, nine days after his death.
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On the eve of the 137th anniversary of Emperor Norton's death in 1880 comes a poignant artistic discovery from the pages of a celebrated magazine founded in the last years of his life.
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The songwriting team of John Kander and Fred Ebb are best known for their smash musicals Cabaret and Chicago. But Kander and Ebb's first musical theater collaboration was on the 1962 score for an unproduced musical inspired, in part, by the story of Emperor Norton. The score includes a Happy New Year song. Step inside for a listen, as rendered by Kander and Ebb themselves!
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New Campaign research seems to confirm that a photograph sometimes thought to be of a young Emperor Norton is not the Emperor but just a boy with a military costume and a fake beard.
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Introducing a new cover page, a new navigational menu and a new URL to get you more quickly to information about The Emperor's Bridge Campaign's project seeking state legislation to name the San Francisco-Oakland Bay Bridge for Emperor Norton — or, more accurately, to add a name like "Emperor Norton Bridge" — by 2022, the 150th anniversary of the Emperor's proclamations setting out the original vision for the bridge in 1872.
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The annual holiday party of The Emperor's Bridge Campaign celebrates the legend that it was Emperor Norton who originally called for the raising of a great tree in Union Square every Yuletide season. By tradition, the celebration takes place on the second Sunday of December in the mezzanine of the historic House of Shields bar in San Francisco, where we'll gather for the fourth time on Sunday 11 December from 4 to 6 p.m.
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In 1918, author and literary anthologist Ella Sterling Cummins Mighels (1853-1934) recalled her childhood memory of Emperor Norton and recounted the special Decoration Day tribute that was repaid him five years earlier.
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On Saturday 12 November 2016, the Emperor Norton Bridge a.k.a. the Bay Bridge turns 80.
Please join The Emperor's Bridge Campaign for a celebration to wish the Emperor's bridge a happy birthday and to show your support for naming the bridge for Emperor Norton in 2022 — the 150th anniversary of the Emperor's proclamations in 1872 setting out the original vision for the bridge.
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There is a proposal afoot to name the Sharon Meadow, in San Francisco's Golden Gate Park, for the late comedian and actor Robin Williams. The rationale being used strengthens the case for naming the San Francisco-Oakland Bay Bridge for Emperor Norton.
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